On a silk road

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This was published 15 years ago

On a silk road

Handmade ... lanterns for sale in Hoi An.

Handmade ... lanterns for sale in Hoi An.Credit: AP

It was an American soldier who first grasped the enormous global potential of the fine fabrics and craftsmanship of South-East Asia. As a young intelligence officer stationed in Bangkok at the end of World War II, Jim Thompson was captivated by the beautiful silks he saw in the city. After quitting the army he returned to Thailand in 1946 and set about reviving the centuries-old tradition of silk-weaving in the country. It was an astute move.

He founded the Thai Silk Company in 1947, which established Thailand as the biggest exporter of silk in the world, as well as making millionaires of Thompson's core group of weavers, to whom he gave shares in the business.

In 1967, at the height of his success, the "Silk King" as he was crowned by Time magazine, vanished in the highlands of Malaysia after going for a walk. His disappearance remains a mystery to this day.

The beautiful teak mansion that was his home in central Bangkok seems like the natural starting point for my own exploration of the fine garments of the region.

From Bangkok I'm heading to the town of Hoi An in central Vietnam - famous for its tailors - and then to a silk-weaving collective in Laos. This might sound little more than a glorified shopping spree and if it were someone else doing the trip that might be the case. Not me. The son of a working-class Englishman who still considers owning more than two pairs of shoes an outrageous indulgence, it's hardwired into my DNA to resist the sting of consumerism.

Thompson, by contrast, must have laid out a small fortune to construct the home, now a museum that bears his name. The silk magnate scoured the country for the best examples of antique Thai houses, then had six of them taken down and rebuilt at this site. To decorate his home he cast his net further afield, travelling throughout South-East Asia to find the finest arts and antiques. Buddhist stone carvings and centuries-old Thai paintings fill the vinegar-brown teak interior and from the upper floor you can look down on the canal that the silk magnate would cross by boat each day to visit the community of southern Thai Muslims to which his women weavers belonged.

When Thompson began his business, travel to the region was largely undeveloped and the garments that emerged in the department stores and boutiques of the West must have seemed like the exotic products of a faraway world. Thompson piggy-backed on these romantic perceptions of the Orient. His first real break came when he was commissioned to provide silks for the set of the Hollywood musical The King And I, a romantic story about an English governess at the court of the King of Siam.

From the Jim Thompson House it's a 30-minute hair-raising ride on the back of a motorbike taxi through Bangkok's maddeningly congested streets to the Khao San Road, a mecca for travellers from all over South-East Asia. Crammed into an alley that snakes behind Khao San, Niyom, 44, runs a shop making handmade leather bags and accessories catering to the backpacker clientele. With a long ponytail of fine black hair frosted with white, a soft voice and gentle manner, Niyom is a welcome counterpoint to the noisy debauchery that prevails in this part of the city.

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Speaking over the thud of music coming from the bars nearby, he soon kills any romantic notions I might be forming of him as some kind of simple craftsman. He's a shrewd operator and, like all good businessmen, Niyom understands his clientele.

Everything used to be made at his small office in another part of the city, he explains, but a few years ago he moved half his staff to this shop because the tourists liked to see for themselves that the products were handmade.

At a heavy wooden table on the other side of the alley, the workers sit slicing and threading strips of fresh leather sourced from Thai cattle, buffalo and lamb and from pigs exported from Japan. Unfazed by the humidity, they expertly piece together the bags, wallets, boots and waistcoats that hang in the shop opposite.

"This area is hippie-style," Niyom says. I know what he means. The phrase neatly encapsulates the commodified version of independent travel offered on Khao San Road; it's a kind of Las Vegas for backpackers, filled with MBA graduates pretending to be Jack Kerouac.

I can't help but be seduced by the quality of the leatherwork. After a brief struggle with my conscience, I decide I'll allow myself this one slip. I buy a wallet.

Escaping the commercial tentacles of the big city, I flee Bangkok for rural Vietnam. Flying from the Thai capital to Danang in central Vietnam, it's then a short taxi ride to Hoi An. About halfway between Hanoi and Ho Chi Minh City (formerly Saigon) and surrounded by luminous green rice paddies, the town has changed little in centuries. The French colonial houses, pagodas and Chinese assembly halls in the old quarter of town are perfectly preserved and have earned the town a place on UNESCO's World Heritage List.

In the bustling riverside market you can pick up a bowl of cau lau, a delicious noodle soup and local delicacy made with croutons, slices of pork and bean sprouts. For most visitors though, the cuisine takes second place to the tailoring. At least 200 silk shops are located downtown, continuing a trade that was started five centuries ago by Chinese and Japanese merchants. Prices are very competitive: suits start from as little as $US40 ($57), though you'd be advised to pay more to ensure quality.

In a narrow shop at the back of the market, Xi runs her family business. I meet her among the high smells and mangled body parts of the market's fish section where, after the briefest of exchanges, she grabs me by the hand - her other hand clutching her young daughter - and leads me like a schoolboy through the crowds to her shop. At a large table she shows me Western-brand clothing catalogues and says she can provide me with a tailored replica of anything I choose for a fraction of the price.

A stocky little woman, Xi, 29, runs the shop with her sister-in-law while her mother and younger siblings make the orders at home. Next to the clothing catalogues, a notebook contains the written endorsements of happy customers. Some of the entries, however, read like police statements. Nico, an Italian, says he was "practically dragged in here" and had "no intention whatsoever of buying a fitted shirt". Still, he did and left "with a smile on my face".

I look up to see Xi beaming at me ominously. Needless to say by the time I leave Hoi An, I'm clutching a cotton jacket, two pairs of cotton trousers, a silk kimono, a present for my niece and my new wallet is $US200 lighter. This is not going according to plan.

Two flights and a train journey later, I meet Molly Rubin at a silk-weaving collective in Vientiane's hinterland in Laos. She has a fairtrade business, Rubyzaar, which she runs with her sister, importing garments they sell wholesale and at street fairs at home in New York.

They have spent much of the past eight years travelling throughout South-East Asia looking for original items and finding people to make their designs. By coincidence, she too has just come from Hoi An, where she was having a new line of dresses made that she plans to show at a trade show on her return to the US.

Five years ago she discovered the Malaikham weaving collective - named after the family who run it - after stumbling across the silks in a store in Vientiane, the low-key capital of Laos. "Immediately we were like, 'Take us to where this is made'," she says. "You need to see the conditions it was made in, in order to know whether you can feel OK about doing business with them. In this case, we saw that this was a good set-up. The spirit among the staff was buoyant, everyone was well treated."

The collective is located inside a nondescript warehouse in a semi-rural setting 30 minutes' drive from Vientiane. About 50 workers, all women, thread together the raw silk on wooden looms. Like the Cham Muslim women Thompson worked with in Bangkok, these Laotian women are preserving a tradition that has continued unbroken for centuries.

Outside, the sky is a tranquil blue in the late afternoon. Around us are wooden vats ringed by iron bindings, each filled nearly to the brim with brightly coloured natural dyes.

"You should buy some of the silk. It's amazingly cheap considering the quality," Molly tells me.

"Oh yeah. How cheap?" I ask, my ears pricking up. I hope my dad can forgive me.

The nearest airport to Hoi An is Danang. Singapore Airlines has a low season return fare to Danang for $348, not including tax, with a change of aircraft in Singapore. An airline called PBair plans to fly from Bangkok to Danang (pbair.com). To get to the weavers of Laos there is an overnight sleeper train to Vientiane from Hua Lamphong train station in Bangkok. Seats can be booked in Bangkok or through a specialist travel agency such as traveller2000.com.

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